The Owl and the Pussy-cat, a Christmas fable

The Owl and the Pussy-cat went to sea,

In a beautiful pea-green boat…

We pushed the boat off its moorings, skidded it on wet planks, rolled it on pipes, cajoled it, and a passer-by on the street helped us heave the last little bit. And all the while we told stories, with Gabe and Deena, the Owl and the Pussy-cat, and I always thought a kindergarten might be made special by its spaces, but of course it is the people, the educators, who inspire the children.

Here were two of them, on a Sunday morning, helping out.

The boat is falling apart. It needs fixing. Some TLC. They asked if I look after it for a while, resurrect it, and I am honoured to do so. Because there is something magical about this vessel, a half-boat, made of wood, used once at Luna Park, crawled over by so many children for so long at St Kilda Balaclava Kindergarten.

It is a boat that has taken so many on such wonderful journeys through the mind.

It has a whole other life ahead of it.

**

Recently, I installed another wicking bed garden box at the kindergarten, and the children helped out, a gaggle of them sat on the edge of the box as I worked, their legs inside, and I told them it was like a little boat, and they were on the high seas, on an adventure, and can you please pass me my hammer, and now BLOCK YOUR EARS, and it's time for a drink of water, where's your hat, and where are we sailing to?

One of the girls asked: "today, can you also please make us an aeroplane?”

And a boy called Yarra said: "And a believe station".

Yes, a believe station, they all screamed. A Believe Station!

What's a believe station?

They ran inside and returned with a drawing of one, and a map of how to find it, and as I was packing up tools they invited me to a meditation class, and I kicked off boots and lay on the floor, eyes closed, and was thankful for the cool air in their large hall, and the spinning ceiling fans, and the darkness, and to be laying on my back in the midday heat, and I could feel little bodies squirming near me, and opened my eyes and there's a girl peering over me, they are fascinated that I join in.

I do so because I am invited, and because it acknowledges the educators at the kindergarten, the work they do.

 And because it's fun.

 **

I’m soon to finish a backyard chook house I’ve built with Allison, a teacher, and a parent at the kindergarten, helped by two of her children.

We started the project on her first day of long service leave. I notched floor joists, put a hammer and chisel in her hand, gave instructions, said you probably didn’t expect to be doing this today.

“This is exactly what I needed to do,” she replied.

It is how I like to work: collaboratively, for-and-with-people, with recycled materials, using hand tools, and with an open heart. Everybody ought to chisel notches in wood at some point in their lives. See the grain, feel it.

It is mindful work, the materials and the process bringing with it a kind of spirituality.

Allison’s daughter draws the most free-spirited pictures of chickens.

Her children call out my name when I arrive for work.

She offers coffee.

All of it is wonderful and reminds of why I do what I do.

Because we are creating something, and caring, and a community of friendship is formed.

**

I haul the ‘love boat’ – that’s what the kindergarten calls it – to a friend’s farm in the Yarra Valley. On the drive, my boys ask why I have half-a-boat on the trailer.

We talk about Christmas.

I tell them I’ve decided this year all the gifts I’m giving are to be recycled or edible or experiential.

They say they are okay with this. They understand the reasons why. They know how troubled I am with the rampant consumerism of Christmas, its wastefulness, its over-abundance.

We all display our love in different ways. They know mine comes usually with handmade cards and in recycled wrapping paper.

Mr 11-year-old, in the front passenger seat, says he’d like to do a road trip to Queensland.

Feasible, I say.

Or a fishing trip.

Mr 8-year-old in the back seat likes the idea of a fishing trip.

We decide this is what we’ll do. Sometime next year. I’ll give them both a week off school, and we’ll go camping and fishing, just the three of us, take them someplace special, somewhere wild, and I know it’ll be a memory they’ll hold onto for all their days.

And a little wooden boat, it needs to come with us.

**

It’s a friend’s birthday party, and he’s a generous man, open-armed, full of curiosity, a crazy spirit, and we once shared a top-floor flat together on the crest of Richmond Hill, and with another friend backpacked down the Baja spit of Mexico, then jumped to South America, to Colombia, and climbed volcanoes along its spine, he can never stand still, and we’d take days off work and go fishing on the bay, or cross-country ski up Mount Stirling, or do overnight walks to the tip of Feathertop when the snow was still about, and all of us travelled to his wedding in South Africa many years back, because he inspires adventure, a thirst for life.  

He and his wife said yes, of course, they’re happy to look after this half-boat, nee of Luna Park, and latter-day of a kindergarten.

Bring it up, put it in drydock, under one of the pines, in the lee of the weather.

Halfway through the party, all with drinks in hand, our host is spotted in a far-off paddock, in butterscotch shorts and tweed jacket, holding a stick, herding a gaggle of goats toward a group of children.

It’s fabulous to watch.

I excuse myself, and with the help of a travelling Welshman and a local hill lad, we unload the boat carcass, put it on stilts, wrap it in tarpaulins and rope, for safekeeping.

Another journey awaits.

When leaving the party, my friend puts a dozen eggs in a plant tub, fresh from his hens, his girls, some still warm from the laying, insists I have them, take them home, for me and the boys.

My Christmas tree is a sprig, in a milk jug.

Cards this year are more rustic than usual.

I’ve cut lengths of hardwood floorboards, daubed them with white house-paint, then painted a little festive flourish.   

It’s a small batch.

All the materials used have been found.

The care is in the making.

My youngest boy rolls his eyes when he sees them on the kitchen table on a Saturday night.

(He’ll be getting one).

Here is my counterpoint, a touchstone, a tablet of wood, crafted to become something else.

The handmade, the slow, the rough-edged – sent now via digital technology, in an instant, a click, a scroll, a new page tab, downloaded.

The old, the new, each has its place.

And a merry Christmas to all.

And may all your boats sail true next year, and hold water, and may you hear the ocean’s sweet music as you go.

Dear Pig, are you willing to sell for one shilling

   Your ring?" Said the Piggy, "I will."

So they took it away, and were married next day

   By the Turkey who lives on the hill.

They dined on mince, and slices of quince,

   Which they ate with a runcible spoon;

And hand in hand, on the edge of the sand,

   They danced by the light of the moon,

             The moon,

             The moon,

They danced by the light of the moon.

The art of a fence

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He barracks for St Kilda, she’s a Tiger.

Football doesn’t necessarily define friendships, but it can shape them, adding layers, other conversations.

I call him ‘Mr Melbourne’ and several years back, in my football writing days, I interviewed him in Yarra Park for a story about landscape; about the shape of nature, the emotions it holds, how it might affect who we are, the game we play.

He burnished the idea. A gun photographer, Simon O’Dwyer, took his portrait, lying on his back on the grass, looking skyward as Melbourne always has, his St Kilda colours draped over his chest, his heart. It was a story about place, and I was hoping for the front page, where he needed to be.

But life doesn’t always work-out so easily.  

Staff at the paper went on strike. The story slipped though the gaps, was published online only (see https://www.theage.com.au/national/victoria/footy-ground-fulfils-fundamental-human-need-20160317-gnl8bt.html

All these years later, going through the upheaval of a separation, the ground under my feet no longer certain, he texted.

Said he was re-landscaping his front yard.

Asked if I might be able to help. His hand of friendship, it looped beneath me.

Turning fifty a few months ago, I sought refuge in art. In making things.

I spent some of the day playing with murals I was working on. And painted discs cut into two redgum posts with spade bits, into colours for them.

Red, white and black for him.

Yellow and black for her.

A nod to them, this city, layers of meaning.

One post for him, one for her, with a gate in-between.

They stand now as two totems in a fence that’s like no other in Melbourne. Imbued with care, a deep respect, with consultation, rich with memory – of a time in our lives, connections made – stamped with the colours of football identity.

St Kilda, Richmond.

And what are the chances?

Last touches, and the two teams play against each other this week, a first finals together for goodness knows how long.

Andrew May and Christina Twomey are esteemed historians, the both of them..

At Andy’s professorial lecture a few years back, he took the audience on a journey through landscape, mapping the soils of Melbourne, the ground beneath us, the texture of place. Archaeological digs, shifting sands by the Yarra, market gardens, the foundations of this city. 

Now at his house, on a corner block on a west-falling hill in Ivanhoe, on a natural walking trail, in lockdown he has dug-over his whole front yard, tilled the soil lovingly, tenderly, found shards and fragments of porcelain - from which he will one day make a mural - preparing the site for a new landscape. It’s a big job. Bending his back, mostly on weekends, the footy running on the radio, his has been a very public performance of digging-sifting-turning-tilling, starting a shared conversation among neighbours, passers-by.

People stopped and talked.

Strangers encouraged him, gave compliments, admiration.

He built a community library box, filled it with books.

More gathered to watch, acknowledge.

His body ached from the manual labour.

It felt good.

The earth was giving back.

The street may never be the same again.

Ivanhoe’s own Capability Brown!

Andy and Christina asked how I might be able to contribute.      

They didn’t really need my help, but maybe they knew I needed theirs.

What I saw was an empty paddock with a new boundary fence (1920s-style post and woven wire), and an impressive resurrection of their water-damaged veranda, with new jarrah boards and proper drainage and sub-floor ventilation works. Andy had loosely plotted pathways, but all was negotiable.

A heavy brushwood fence divided the spaces between the front and north-facing side yard, which they were to replace with a standard treated pine paling fence. A lost opportunity, I suggested.

Their previously overgrown north-east facing yard was open now to the street.

How had this opened their lives, created new conversations, passing friendships, a newfound connection with place?

Our built forms shape our lives in so many ways. Why not a screen fence? Allow the flow of air and light through, a playful filter, and allow also an emotional and physic passing, a fluidity. Not be boxed – fenced - in.

I had a collection of hardwood roof battens (50mm by 25mm), probably ash, salvaged from a mid-century bungalow in St Kilda East, waiting for a job like this. Affix them on edge, close together, and it creates a pleasing texture of timber, like a dense forest, warm, organic, nature’s rhythm, a screen of trees that viewed from an angle cannot be seen through.

They liked it. And so we began.


Not all batten fences are the same. Some are better than others, a few still are quite beautiful.

Least pleasing are those built from treated pine, painted, with a 50:50 ratio of solid to void. It’s the cheapest, easiest option. And it shows. Most pleasing is those built of western red cedar, with fine-milled battens placed close together, forming delicate slithers of light and air, a refined sensibility. But do the maths on timber like that. You need deep pockets.

What I’ve made is something in-between. I like to think of it as an art installation. Rustic, careful, honest, true.

As is the Bowerbird way, many of its materials are recycled, second-hand. Two of the posts came from under their house. I didn’t want bog-standard cypress pine posts for the other two, so made two posts from four old redgum posts, using gal bolts on half lap joints. I love old redgum posts, their hardness, the story they tell, how they grey-weather with such dignity.

Two historians needed two old posts with a story to them; clasped together, like words, lovers.

All the frames are found: I’ve used hardwood rails, and old bargeboards painted glossy black. The steel gate frame was bought second-hand from a retired plumber in Moorabbin (keen for a chat, a lovely bloke) and again painted black. (Most of my paint supplies are surplus tins from clearing out sheds – Melbourne has enough leftover paint to give the whole city a fresh lick).

From the get-go, I didn’t have enough 2100mm length battens to finish the job, so put a call into a roofing contact, and a request: a slab of beer if I could collect what ordinarily they toss in a skip. But lockdown, and tightening budgets, and Melbourne now is living with leaky roofs. Not as many being replaced. Plenty of Douglas fir battens were on offer, but no Australian hardwood ones came up.

We gave up waiting. (The trick with using salvaged materials is to grab them when on offer, then store the bloody things!)

I bought a batch from a yard in Bulleen. Three dollars a metre for six-metre OB (off-the-bench) lengths. Not what I envisaged; green wood, heavy with moisture, with none of the rich colours of age. But as it dries it should weather and warm and lighten. And I’ll give them a splash of oil to mute the hue.   

Each is affixed with stainless steel screws, recessed in a counterbore, for visual effect.

A few finishing touches to come, but the structure is there, and I think it looks fine-boned, striking, bold, but with this sense of lightness, of letting things pass, not interrupting nature. A branch of an apricot tree has found its way through the slats already and my heart fluttes.   

Shade of a loquat tree. A singing wind chime. Knock-off beers, a bottle of whisky.

Friendship, counsel, support.

Andy and Christina helped me. I built them something I hope they cherish forever, gives them joy, raises their spirits in little measures in private moments.

Life, communities, and football - and a love we show in other ways.